The album goes from the energetic celebration that son and mariachi represent in “El Balajú / Serenata Huasteca” to the minimalistic beauty of ‘Cucurrucucú Paloma’, where Natalia shines with nothing more than her voice and a guitar. These are the frontline workers who performed with Pitbull at the 2020 Latin GRAMMYsĬarlos Rivera cancels his hosting duties in the Latin Grammys, plus his new single with Maluma ‘100 Años’ ”We had to record the music that we had been preparing for months because it was something worth sharing, something so rich, so full of life, so full of Mexico, something that was calling to be shared.” “Even though it was a unique experience, an historical concert, that, with our work and effort, would help us achieve our objective, it couldn‘t remain just as a concert,“ Natalia explains. Some artists from the concert became a part of the recording and some others joined in later on. From there, Natalia headed into the studio to record an album inspired by the concert. Last fall, Natalia produced and performed a banner show at the Auditorio Nacional in Mexico City with guest appearances such as Jorge Drexler, Pepe and Ángela Aguilar, Aída Cuevas, Carlos Rivera, Café Tacvba, Panteón Rococó, Mon Laferte and the legendary ensembles M ariachi Juvenil Tecatitlán and Los Cojolites, founding entity of the Centro de Documentación del Son Jarocho as well as sculpture artists such as Rocca Luis César, who was the scenographer and designer of the project.
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